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	<title>Comments on: Structure: Avatar</title>
	<atom:link href="http://thestorydepartment.com/1bn-structure-avatar/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestorydepartment.com/1bn-structure-avatar/</link>
	<description>Screenwriting - from Dream to Draft to Deal</description>
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		<title>By: Medyatanitim1</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-7220</link>
		<dc:creator>Medyatanitim1</dc:creator>
		<pubDate>Tue, 10 Jan 2012 16:19:00 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-7220</guid>
		<description>thanks, it&#039;s usefull for me...any other simple like this...or any ebook???</description>
		<content:encoded><![CDATA[<p>thanks, it&#8217;s usefull for me&#8230;any other simple like this&#8230;or any ebook???</p>
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		<title>By: The Mythology Of Movement &#124; The Story Department</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-6136</link>
		<dc:creator>The Mythology Of Movement &#124; The Story Department</dc:creator>
		<pubDate>Tue, 07 Jun 2011 11:56:50 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-6136</guid>
		<description>[...] much movement a good story can absorb and where to best place it, have a look at the structure of the biggest movie ever [...]</description>
		<content:encoded><![CDATA[<p>[...] much movement a good story can absorb and where to best place it, have a look at the structure of the biggest movie ever [...]</p>
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		<title>By: Daisy Hythe-Clayton</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-3198</link>
		<dc:creator>Daisy Hythe-Clayton</dc:creator>
		<pubDate>Tue, 02 Feb 2010 19:57:06 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-3198</guid>
		<description>This is brilliant! Well done.

I am currently in my third year of Univeristy studying film. I have chosen to write my final essay on: &#039;Becoming Authentic: The Hero&#039;s Journey in Avatar&#039; - A question I had created.

Your work proves it applies to the Hero&#039;s Journey, it would be good to quote you within my essay. Is there anything you can add in general to Avatar fitting to the Hero&#039;s Journey?

Thank you

DAISY</description>
		<content:encoded><![CDATA[<p>This is brilliant! Well done.</p>
<p>I am currently in my third year of Univeristy studying film. I have chosen to write my final essay on: &#8216;Becoming Authentic: The Hero&#8217;s Journey in Avatar&#8217; &#8211; A question I had created.</p>
<p>Your work proves it applies to the Hero&#8217;s Journey, it would be good to quote you within my essay. Is there anything you can add in general to Avatar fitting to the Hero&#8217;s Journey?</p>
<p>Thank you</p>
<p>DAISY</p>
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		<title>By: Snorkel</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2860</link>
		<dc:creator>Snorkel</dc:creator>
		<pubDate>Fri, 08 Jan 2010 04:12:47 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2860</guid>
		<description>Thanks Karel, nice to walk out of the cinema and read this.

I wonder, when they talked about Jake&#039;s marine background, rather than building empathy between him and the colonel they could have shown Jake&#039;s inescapable marine conditioning. This may have made Jake&#039;s obedience more believable, and OUR entry into the story could have a sense of escaping corporate anti-environmental conditioning. Of course the classic nemesis model requires them to bond at some stage, I guess.

I kinda wished he&#039;d stopped when the tree fell though.. I&#039;m not sure we deserve to be let off the hook like that.</description>
		<content:encoded><![CDATA[<p>Thanks Karel, nice to walk out of the cinema and read this.</p>
<p>I wonder, when they talked about Jake&#8217;s marine background, rather than building empathy between him and the colonel they could have shown Jake&#8217;s inescapable marine conditioning. This may have made Jake&#8217;s obedience more believable, and OUR entry into the story could have a sense of escaping corporate anti-environmental conditioning. Of course the classic nemesis model requires them to bond at some stage, I guess.</p>
<p>I kinda wished he&#8217;d stopped when the tree fell though.. I&#8217;m not sure we deserve to be let off the hook like that.</p>
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		<title>By: Karel Segers</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2849</link>
		<dc:creator>Karel Segers</dc:creator>
		<pubDate>Thu, 07 Jan 2010 12:22:08 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2849</guid>
		<description>Thanks for your comment, Simon.

The stills are from IMDb: http://www.imdb.com/title/tt0499549/mediaindex?page=3 
I&#039;m afraid I got carried away slightly in terms of what is reasonable under Fair Use, so I&#039;ve just deleted a few of those images again.

You&#039;re right about the catharsis I think. Personally I am not a fan of the story of &quot;300&quot;.

No doubt the game will sequel and prequel the saga!</description>
		<content:encoded><![CDATA[<p>Thanks for your comment, Simon.</p>
<p>The stills are from IMDb: <a href="http://www.imdb.com/title/tt0499549/mediaindex?page=3" rel="nofollow">http://www.imdb.com/title/tt0499549/mediaindex?page=3</a><br />
I&#8217;m afraid I got carried away slightly in terms of what is reasonable under Fair Use, so I&#8217;ve just deleted a few of those images again.</p>
<p>You&#8217;re right about the catharsis I think. Personally I am not a fan of the story of &#8220;300&#8243;.</p>
<p>No doubt the game will sequel and prequel the saga!</p>
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		<title>By: treehaus</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2848</link>
		<dc:creator>treehaus</dc:creator>
		<pubDate>Thu, 07 Jan 2010 12:03:43 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2848</guid>
		<description>Hallo Karel, 

thanks for all your hard work. I especially liked the production stills you used to illustrate the story (where did you get them?).

I was interested to see you didn&#039;t mention catharsis on your exposé. I think that the basic cathetic exchange in the film is this:  The audience feels good about the (extremely brilliant and virtuoso) gun-porn if they can feel righteous about saving the planet/tree-people. 

In this it does a better job than, say, Zack Snyder&#039;s 300, where the killing is merely historically justified by the subsequent (unseen) victory of Athens over the Persian barbarians. Here we get the Real McCoy of Victory pure, and even the Rebirth (and Marriage? and Coronation?) ceremony at the end reminds one of the Dionesian Cult Ceremonies. The cathectic cycle is complete. 

Brilliantly made heroic epos, with great gun porn thrown in to boot. 

Best Regards, 

Simon Sieverts 
PS I wonder if the video game will continue the saga?</description>
		<content:encoded><![CDATA[<p>Hallo Karel, </p>
<p>thanks for all your hard work. I especially liked the production stills you used to illustrate the story (where did you get them?).</p>
<p>I was interested to see you didn&#8217;t mention catharsis on your exposé. I think that the basic cathetic exchange in the film is this:  The audience feels good about the (extremely brilliant and virtuoso) gun-porn if they can feel righteous about saving the planet/tree-people. </p>
<p>In this it does a better job than, say, Zack Snyder&#8217;s 300, where the killing is merely historically justified by the subsequent (unseen) victory of Athens over the Persian barbarians. Here we get the Real McCoy of Victory pure, and even the Rebirth (and Marriage? and Coronation?) ceremony at the end reminds one of the Dionesian Cult Ceremonies. The cathectic cycle is complete. </p>
<p>Brilliantly made heroic epos, with great gun porn thrown in to boot. </p>
<p>Best Regards, </p>
<p>Simon Sieverts<br />
PS I wonder if the video game will continue the saga?</p>
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		<title>By: Graham Gall</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2803</link>
		<dc:creator>Graham Gall</dc:creator>
		<pubDate>Mon, 04 Jan 2010 23:39:57 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2803</guid>
		<description>Thanks Karel I enjoyed your analysis and largely agree with it.  I believe that this film has changed the face of block buster film making forever - yes I think its that good!  The magic for me is that as you say the classic story telling structure has once again worked for audiences to produce what seems to be on track to be the highest grossing film of all time  -$1 billion to date.
James Cameron is a genius and I cannot wait to see it all again.</description>
		<content:encoded><![CDATA[<p>Thanks Karel I enjoyed your analysis and largely agree with it.  I believe that this film has changed the face of block buster film making forever &#8211; yes I think its that good!  The magic for me is that as you say the classic story telling structure has once again worked for audiences to produce what seems to be on track to be the highest grossing film of all time  -$1 billion to date.<br />
James Cameron is a genius and I cannot wait to see it all again.</p>
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		<title>By: Karel Segers</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2798</link>
		<dc:creator>Karel Segers</dc:creator>
		<pubDate>Mon, 04 Jan 2010 21:50:22 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2798</guid>
		<description>Thanks for your comment, Stavros.

It&#039;s a relatively short - and bland - Mid Sequence in which the worlds swap. Bland, because the only real tension exists in the scene with the Colonel, when Jake is reminded of his task and we know he&#039;s no longer on the Colonel&#039;s side.

The fact that something DOES change for Jake in that Mid Sequence is immediately confirmed at the very beginning of Act IIb.</description>
		<content:encoded><![CDATA[<p>Thanks for your comment, Stavros.</p>
<p>It&#8217;s a relatively short &#8211; and bland &#8211; Mid Sequence in which the worlds swap. Bland, because the only real tension exists in the scene with the Colonel, when Jake is reminded of his task and we know he&#8217;s no longer on the Colonel&#8217;s side.</p>
<p>The fact that something DOES change for Jake in that Mid Sequence is immediately confirmed at the very beginning of Act IIb.</p>
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		<title>By: Stavros G</title>
		<link>http://thestorydepartment.com/1bn-structure-avatar/#comment-2796</link>
		<dc:creator>Stavros G</dc:creator>
		<pubDate>Mon, 04 Jan 2010 20:07:39 +0000</pubDate>
		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=6861#comment-2796</guid>
		<description>Good work.  I like the idea of the alternate work of the Avatar becoming the real world.  That the  world he knew becoming the alternate world.  Brings in the tensions between the two worlds.  This with the character tensions with the inner journey.</description>
		<content:encoded><![CDATA[<p>Good work.  I like the idea of the alternate work of the Avatar becoming the real world.  That the  world he knew becoming the alternate world.  Brings in the tensions between the two worlds.  This with the character tensions with the inner journey.</p>
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