• The Tag Dept.

  3-act structure act one adaptation character consultancy dialogue first draft format formatting happy ending hero's journey inciting incident kuleshov layout logline mckee michael hauge mid-point ordinary world outline pitching plot point point of view protagonist ratatouille robert mckee scene screenplay screenwriting script script editor selling sequence slug line software step outline synopsis tag line turning point workshops

Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief ‘disconnection’ doesn’t hurt the story: after a climax.

The start of Act Two is a good place to move to the antagonist’s

POV.

Should you write a happy ending?

Commercial common sense will tell you: yes, you should.

Robert McKee says: “Tell the truth.”

(see the previous post)

“The finest writing not only reveals true character,
but arcs or changes to that inner nature, for better or worse.”
-Robert McKee

In 1998 McKee signed my first edition hardback of STORY. He wrote:

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