Post Series | The Story Department | Tips & tools for screenwriters, filmmakers & storytellers

Writing for Daily Drama (4)

Psychology, timeframe, teamwork… Jan Ellis shares his experience as a daily drama writer. Mapping out the...

posted on: Jul 24, 2009 | author: cleomees

Psychology, timeframe, teamwork… Jan Ellis explains how daily drama differs from other screenwriting...

posted on: Jul 17, 2009 | author: cleomees

Psychology, timeframe, teamwork… Jan Ellis reflects on some of the aspects of daily drama writing that set it apart...

posted on: Jul 10, 2009 | author: cleomees

Psychology, timeframe, teamwork… Jan Ellis, writer for South-African daily television drama,...

posted on: Jun 30, 2009 | author: cleomees

Writer/Producer Meg Shields reflects on the development of her script which recently won the Bill Warnock Feature...

posted on: Jun 26, 2009 | author: cleomees

A structural overview of The Incredibles (Brad Bird 2004) “Animation is not a genre but an art form” says...

posted on: Jun 23, 2009 | author: Karel Segers

Mark Familton received a $12,000 grant to develop his gritty sci-fi thriller feature – something any screenwriter...

posted on: Jun 19, 2009 | author: cleomees

Theorists have grappled with the idea for decades, directors have had hissy fits… WAAPA directing student Ngaire...

posted on: Jun 9, 2009 | author: cleomees