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The Psychology of Scriptwriting (2)

THE NARCISSISTIC THEORY Narcissus was a handsome fellow who fell in love with his own reflection. Unfortunately, it...

The Psychology of Scriptwriting (2)
posted on: Feb 1, 2009 | author: Karel Segers

Structure: Australia

I like it. I don’t love it. And I see why it is not getting the word of mouth it deserves. My take on the film...

Structure: Australia
posted on: Jan 26, 2009 | author: Karel Segers

The Psychology of Scriptwriting (1)

As the first in a series of guest articles, I am honoured to present Jack Feldstein’s four-part series on the...

The Psychology of Scriptwriting (1)
posted on: Jan 20, 2009 | author: Karel Segers

Structure: Jaws

A structural overview of Jaws (Peter Benchley, Carl Gottlieb, Novel by Peter Benchley 1975) Steven Spielberg first...

Structure: Jaws
posted on: Aug 23, 2008 | author: Karel Segers

Arcs and Endings (3)

In a Q&A for Creative Screenwriting Magazine, Michael Arndt made the point that “happy endings are really...

Arcs and Endings (3)
posted on: Jul 9, 2008 | author: Karel Segers

Interview: Michael Hauge (2)

...

Interview: Michael Hauge (2)
posted on: Jul 4, 2008 | author: Karel Segers

POV: When to Shift?

Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief...

POV: When to Shift?
posted on: Jun 29, 2008 | author: Karel Segers

Arcs and Endings (2)

Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says:...

Arcs and Endings (2)
posted on: Jun 27, 2008 | author: Karel Segers

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