In this section we are publishing the loglines from the participants of the Circalit / Story Department “First Draft Script Contest”. Our judges have reviewed the loglines and give you their considered feedback. It may help you craft a powerful logline. by The Judges The Hitman From
Read more →Maurice Sendak is the man behind the story and illustrations of Where The Wild Things Are. The 2009 movie version may not have achieved much but the original book is a timeless classic. Here he speaks about his artistic vision. If you liked this, check out more
Read more →For most of my life, Steven Spielberg has been my favorite filmmaker. He has just re-won my heart with The Adventures of Tintin and in this video he shares some insights that weirdly I had come to realize only recently myself. Enjoy. Yesterday I was talking to
Read more →At the end of Act Two of Die Hard, John McClane is effectively faced with his own self (note the shot composition and what he is actually facing) to review his own character and dig deep for a solution to achieve his unconscious goal. By Nir Shelter
Read more →Recently we ran the First Draft Contest with our friends of Circalit in the UK. Weekly on Thursdays we publish the loglines from participants of the contest and the Judges give us their considered feedback. by The Judges If you have an opinion on any of
Read more →I’ve become a fan of John August’s SCRIPT NOTES. Admittedly, it’s very much a chat among men-who’ve-made-it but August, like no other pro, is enormously generous with his knowledge about the craft and the industry. Here he talks solo on camera. As the screenwriter of some Tim
Read more →If you were missing our weekly Best o/t Web, I’m afraid in this instance we’ll have to blame Google. We had set up a great workflow that would allow us to sift through 1,000+ blog posts weekly and bring you the top 1 percent… Unfortunately Google decided to
Read more →Breaking the principle of unity of action is a directorial decision, not a writer’s one. For one reason or another a director may decide it prudent to break the flow of a story and change the pace. By Nir Shelter Breaking a Unity of Action The writer
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