• Structural Analyses (Prem.):

  • Iron Man
  • A Room With A View
  • Assault on Precinct 13
  • Michael Clayton
  • Ghost World
  • Terminator 2
  • The Shawshank Redemption

• The Tag Dept.

  3-act structure act one adaptation character consultancy dialogue first draft format formatting happy ending hero's journey inciting incident kuleshov layout logline mckee michael hauge mid-point ordinary world outline pitching plot point point of view protagonist ratatouille robert mckee scene screenplay screenwriting script script editor selling sequence slug line software step outline synopsis tag line turning point workshops

A structural overview of Iron Man

(Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway 2008)

Not just a great comic book adaptation and an exciting action flick, but also an elegantly written pieces of cinema entertainment, executed with a daring cast and grounded in a solid foundation of character.

Are you struggling with a passive protagonist? Let’s look into what causes a character to be passive.

A hero is not ‘active’ because he is constantly running, fighting, arguing etc. A hero is not ‘passive’ because he is never running, fighting, arguing etc.

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