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Screenwriting – from Dream to Draft to Deal

Posts Tagged ‘hero’s journey’

Structure: A Beautiful Mind

Structure: A Beautiful Mind

A structural overview of A Beautiful Mind (2001). It took me a while to appreciate this gem by Akiva Goldsman and directed by Ron Howard. Not sure why. The film won four Academy Awards, including Best Picture, so I had a good reason for looking into it.

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Structure: Up

Structure: Up

A structural overview of UP (Pete Docter, Bob Peterson, Thomas McCarthy 2009 I’ve been a big Pixar fan since stupidly missing out on the theatrical run of The Incredibles. In 2008 the festival potential of my own short animation Tin Can Heart – wr/dir. by Rod March

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That Mid-Point Thing

Following UNK’s publication of his post on The Mid Point and to the benefit of the students in a recent HERO’S JOURNEY workshop, I have updated the article of 20 April last year about this important turning point. Since writing the below post, I have come to

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Structure: Raiders of the Lost Ark

Structure: Raiders of the Lost Ark

The first film of the Indiana Jones quadrilogy, created by Spielberg and Lucas, the greatest filmmakers of their generation. A timeless piece of the very best entertainment. This is a typical Hero’s Journey and an excellent starting point for screen story study. Did I mention it is also

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Structure: Ghost World

Structure: Ghost World

A cult comic, two charismatic teen actresses, an inspired director and a sparse score. Six pages of a comic book were turned into one of the coolest movies of the decade. A structural overview of Terry Zwigoff’s Ghost World (2001). Because the plot points are often quite subtle, structurally this

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The Story Revolution

Nafa – Choctops Meeting: 18/2/08 (Report by John Haly, Thank you to Tony Chu) Karel -a Belgian producer and script consultant – founded OZZYWOOD Films and The Story Department (which is a unique Australian blog and online resource for screen story theory). Karel headed production and programming

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First, Break All the Rules

When I asked this student which one thing she remembered above anything else, she replied: “That you can break the rules, and get away with it.” She was not my student. In itself there’s nothing wrong with trying, but it saddens me that Heath Ledger’s last Australian

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Selected Bibliography

This bibliography I often include in my course notes. It contains publications that I regularly consult or quote from. Aronson, Linda: Scriptwriting Updated, Allen & Unwin Field, Syd: Screenplay, Dell Publishing Gulino, Paul: Screenwriting: The Sequence Approach, Continuum Hauge, Michael: Writing Screenplays That Sell, Harper Resource Howard,

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