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	<title>The Story Department &#187; The Story Department | Screenwriting News, Tips and Articles</title>
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	<link>http://thestorydepartment.com</link>
	<description>Screenwriting - from Dream to Draft to Deal</description>
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		<title>Screenwriting Expo: Day 2 &amp; 3</title>
		<link>http://thestorydepartment.com/screenwriting-expo-day-2-3/</link>
		<comments>http://thestorydepartment.com/screenwriting-expo-day-2-3/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 13:01:35 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Guest Contributions]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[james nicholas]]></category>
		<category><![CDATA[karl iglesias]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[paul gulino]]></category>
		<category><![CDATA[screenwriting expo]]></category>
		<category><![CDATA[steve kaplan]]></category>

		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=5429</guid>
		<description><![CDATA[After an invigorating but relatively exhausting Day 1, the rooms were overflowing as the L.A. locals who couldn’t get a day off on Friday came to pitch/sit in on sessions. I had my day planned out and the first of the mark was Billy Mernit. BILLY MERNIT [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Screenwriting Expo &#8211; Day 1</title>
		<link>http://thestorydepartment.com/screenwriting-expo-day-1/</link>
		<comments>http://thestorydepartment.com/screenwriting-expo-day-1/#comments</comments>
		<pubDate>Sat, 17 Oct 2009 08:28:26 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Guest Contributions]]></category>
		<category><![CDATA[james nicholas]]></category>
		<category><![CDATA[john cleese]]></category>
		<category><![CDATA[karl iglesias]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[paul gulino]]></category>
		<category><![CDATA[screenwriting expo]]></category>
		<category><![CDATA[steve kaplan]]></category>
		<category><![CDATA[william goldman]]></category>

		<guid isPermaLink="false">http://thestorydepartment.com/tsd/?p=5348</guid>
		<description><![CDATA[Producer/scribe James Nicholas flew from Sydney to L.A. to attend the Screenwriting Expo. He generously reports back about his brush with the Gurus and any lesser Gods. Upon entering the convention centre, the air is filled with anticipation as the budding writers fill the smallish and rather [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>When the script and story gurus speak</title>
		<link>http://thestorydepartment.com/when-the-gurus-speak/</link>
		<comments>http://thestorydepartment.com/when-the-gurus-speak/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 14:02:09 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Story & Structure]]></category>
		<category><![CDATA[billy stoneking]]></category>
		<category><![CDATA[blake snyder]]></category>
		<category><![CDATA[character arc]]></category>
		<category><![CDATA[john truby]]></category>
		<category><![CDATA[kal bashir]]></category>
		<category><![CDATA[linda aronson]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[mid-point]]></category>
		<category><![CDATA[mystery man on film]]></category>
		<category><![CDATA[robert mckee]]></category>
		<category><![CDATA[story structure]]></category>
		<category><![CDATA[The Inciting Incident]]></category>

		<guid isPermaLink="false">/?p=1868</guid>
		<description><![CDATA[Most &#8216;gurus&#8217; each have their own area of expertise and angle of attack, they each follow their own agenda. And with every new light shed on the craft, different people may see that light. Don&#8217;t they ever contradict each other? And if they do, which truth do [...]]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>NCS &#8217;09: What did I miss?</title>
		<link>http://thestorydepartment.com/ncs-09-what-did-i-miss/</link>
		<comments>http://thestorydepartment.com/ncs-09-what-did-i-miss/#comments</comments>
		<pubDate>Fri, 13 Mar 2009 13:33:21 +0000</pubDate>
		<dc:creator>tracy</dc:creator>
				<category><![CDATA[Guest Contributions]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[Clayton Jacobson]]></category>
		<category><![CDATA[Darren Star]]></category>
		<category><![CDATA[David Weiss]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[Jan Sardi]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[Mike Bullen]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[pitching]]></category>
		<category><![CDATA[Rolf de Heer]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story]]></category>

		<guid isPermaLink="false">/?p=1449</guid>
		<description><![CDATA[Tracy Richardson is a former Story Department student and client whose debut script LIGHTING UP has been moving forward steadily since being selected a finalist in a national pitching competition back in 2006. Last year she worked with Michael Hauge as part of Inscription. Last month Tracy [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>To McKee or not to McKee</title>
		<link>http://thestorydepartment.com/to-mckee-or-not-to-mckee-1/</link>
		<comments>http://thestorydepartment.com/to-mckee-or-not-to-mckee-1/#comments</comments>
		<pubDate>Tue, 24 Feb 2009 12:58:08 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Screenwriting Life]]></category>
		<category><![CDATA[format]]></category>
		<category><![CDATA[john truby]]></category>
		<category><![CDATA[mckee]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[outline]]></category>
		<category><![CDATA[Pitching & Selling]]></category>
		<category><![CDATA[robert mckee]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenplays]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[syd field]]></category>
		<category><![CDATA[the unknown screenwriter]]></category>
		<category><![CDATA[UNK]]></category>

		<guid isPermaLink="false">/?p=1309</guid>
		<description><![CDATA[A friend asked me if I would be offended should he spend $600 to go see McKee in Melbourne. Years ago I happened to be in LA in the first days of release of the first edition of STORY (McKee&#8217;s bestselling book). I purchased two copies: one [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Interview: Michael Hauge (2)</title>
		<link>http://thestorydepartment.com/interview-michael-hauge-3/</link>
		<comments>http://thestorydepartment.com/interview-michael-hauge-3/#comments</comments>
		<pubDate>Fri, 04 Jul 2008 05:47:28 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Post Series]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[screenplay mastery]]></category>
		<category><![CDATA[story mastery]]></category>

		<guid isPermaLink="false">?p=143</guid>
		<description><![CDATA[Finally,]]></description>
		<wfw:commentRss>http://thestorydepartment.com/interview-michael-hauge-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Conscious vs. Unconscious Desire</title>
		<link>http://thestorydepartment.com/q-desire/</link>
		<comments>http://thestorydepartment.com/q-desire/#comments</comments>
		<pubDate>Mon, 24 Mar 2008 09:13:52 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Premium Content]]></category>
		<category><![CDATA[act two]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[conscious desire]]></category>
		<category><![CDATA[die hard]]></category>
		<category><![CDATA[john truby]]></category>
		<category><![CDATA[mckee]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[mid-point]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[protagonist]]></category>
		<category><![CDATA[reversal]]></category>
		<category><![CDATA[robert mckee]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[turning point]]></category>
		<category><![CDATA[unconscious]]></category>

		<guid isPermaLink="false">/q-desire/</guid>
		<description><![CDATA[Question: When McKee talks about the conscious desire being a contradiction of the unconscious desire, would you relate this to the mid act 2 reversal / change in approach? Or would this be true from the very start of the story, script or life of the protagonist? [...]]]></description>
		<wfw:commentRss>http://thestorydepartment.com/q-desire/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Michael Hauge Interview &#8211; Part 1</title>
		<link>http://thestorydepartment.com/michael-hauge-1/</link>
		<comments>http://thestorydepartment.com/michael-hauge-1/#comments</comments>
		<pubDate>Thu, 20 Mar 2008 00:50:17 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Post Series]]></category>
		<category><![CDATA[aristotle]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[character arc]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[direction]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[format]]></category>
		<category><![CDATA[happy ending]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[john truby]]></category>
		<category><![CDATA[joseph campbell]]></category>
		<category><![CDATA[love story]]></category>
		<category><![CDATA[mckee]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[movies]]></category>
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		<category><![CDATA[rates]]></category>
		<category><![CDATA[romantic comedy]]></category>
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		<category><![CDATA[screenplays]]></category>
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		<category><![CDATA[screenwriters]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[shawshank redemption]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[syd field]]></category>
		<category><![CDATA[theme]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">/michael-hauge-1/</guid>
		<description><![CDATA[MICHAEL HAUGE is a story consultant, author and lecturer who works with writers and filmmakers. He has coached or consulted on projects for Will Smith, Julia Roberts, Robert Downey, Jr. and Morgan Freeman, plus every Hollywood studio. I am speaking with Michael about his career, his teaching [...]]]></description>
		<wfw:commentRss>http://thestorydepartment.com/michael-hauge-1/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Exciting Coincidence?</title>
		<link>http://thestorydepartment.com/exciting-coincidence/</link>
		<comments>http://thestorydepartment.com/exciting-coincidence/#comments</comments>
		<pubDate>Fri, 07 Mar 2008 08:16:09 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[Stuff]]></category>
		<category><![CDATA[blogging]]></category>
		<category><![CDATA[brad bird]]></category>
		<category><![CDATA[catalyst]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[consultancy]]></category>
		<category><![CDATA[direction]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[john truby]]></category>
		<category><![CDATA[mckee]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[omniscient POV]]></category>
		<category><![CDATA[Point of View]]></category>
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		<category><![CDATA[protagonist]]></category>
		<category><![CDATA[ratatouille]]></category>
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		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenplays]]></category>
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		<category><![CDATA[sequence]]></category>
		<category><![CDATA[sequences]]></category>
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		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Inciting Incident]]></category>
		<category><![CDATA[Thelma & Louise]]></category>
		<category><![CDATA[touch of evil]]></category>
		<category><![CDATA[UNK]]></category>
		<category><![CDATA[workshop]]></category>
		<category><![CDATA[zen]]></category>

		<guid isPermaLink="false">/exciting-coincidence/</guid>
		<description><![CDATA[&#8220;A strong inciting incident is an event that happens to the protagonist, never an action by the protagonist&#8220;, I said. Then I asked you for exceptions, i.e. strong Inciting Incidents that are actions by the protagonist. Now have a look at the first three responses I received: [...]]]></description>
		<wfw:commentRss>http://thestorydepartment.com/exciting-coincidence/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Killing My Darlings</title>
		<link>http://thestorydepartment.com/killing-my-darlings/</link>
		<comments>http://thestorydepartment.com/killing-my-darlings/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 15:07:52 +0000</pubDate>
		<dc:creator>Karel Segers</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[act one]]></category>
		<category><![CDATA[act structure]]></category>
		<category><![CDATA[act two]]></category>
		<category><![CDATA[blade runner]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[direction]]></category>
		<category><![CDATA[faust]]></category>
		<category><![CDATA[first draft]]></category>
		<category><![CDATA[linda aronson]]></category>
		<category><![CDATA[michael hauge]]></category>
		<category><![CDATA[michael mann]]></category>
		<category><![CDATA[mystery man on film]]></category>
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		<category><![CDATA[obstacle]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[protagonist]]></category>
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		<category><![CDATA[the unknown screenwriter]]></category>
		<category><![CDATA[UNK]]></category>
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		<guid isPermaLink="false">http://killing-my-darlings/</guid>
		<description><![CDATA[This blog started when a certain analysis of Michael Mann&#8217;s THE INSIDER sparked my frustration. Discussing BLADE RUNNER in a story workshop recently, I felt I was close to doing the exact same thing. To this date I don&#8217;t fully agree with her INSIDER analysis but Linda [...]]]></description>
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		<slash:comments>0</slash:comments>
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