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Screenwriting – from Dream to Draft to Deal

Posts Tagged ‘robert mckee’

Inciting Incident: Definitions

Inciting Incident, Catalyst, Call to Adventure, Disturbance. All terms referring to the first crucial moment: the point where your story kicks off. Michael Hauge closes the first of his six story stages with it, at the 10% point of the story (10mins in a 100mins movie). Paul

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Selected Bibliography

This bibliography I often include in my course notes. It contains publications that I regularly consult or quote from. Aronson, Linda: Scriptwriting Updated, Allen & Unwin Field, Syd: Screenplay, Dell Publishing Gulino, Paul: Screenwriting: The Sequence Approach, Continuum Hauge, Michael: Writing Screenplays That Sell, Harper Resource Howard,

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The Secret

The Secret

While you were out celebrating New Year’s Eve, I was watching David Cronenberg’s eXistenZ on DVD. Not that I’m such a pathetic hermit; it was just my wife’s fun idea of closing the Old Year. She admitted afterwards she might have been wrong. Missing the Sydney Fireworks

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Plot Point: Brainstorming Plot Points

Writing a first draft is in essence brainstorming plot points and writing them down in a more or less chronological order. It sounds as if I am simplifying things, but once you have cracked the essence of drama, it really is that simple. To understand what follows,

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Plot Point: Introduction

The essence of ‘plot point’ is the essence of drama, yet I find it hard to define. There will always be unresolved elements in its definition, much in the same way the responses to a kid’s unrelenting questions ultimately lead to the question about the Meaning of

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POV: McKee’s View

POV: McKee's View

“The more time spent with a character, the more opportunity to witness his choices. The result is more empathy and emotional involvement between audience and character.” -Robert McKee In his introduction about point of view (POV) in the scene, Robert McKee focuses on screen time and the

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Bringing Up Baby

I was surprised to read the following quote from respected Australian screenwriter Keith Thompson: “an overt focus on structure may be to the detriment of the script overall. He prefers to discuss scripts using more generic terms such as beginning, middle and end. The hero’s journey (a

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Anyone Can Cook

Earlier this year, a friend of mine bought an expensive High Definition Video camera. He had saved up for it for a long time. In stead he could have bought a second hand Subaru. But he doesn’t care he doesn’t have a car. He has a dream.

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