You’re a screenwriter. And you’re SO stuck. Nothing is moving, nobody wants to make your movie. You are on a crusade for recognition, for people to tell you how great the idea and how successful you will be. But your phone calls are not being returned. Are
Recently I had the privilege and honour of reading a script by one of the most hyped young writers in this country, face on covers of magazines and all that. My expectations were high and yes: it delivered! I spent an amazing two hours reading it as
Turning real events into a working screen drama is a hell of a challenge. Whether it be a historical movie, biography or docu-drama, the smart screenwriter remains true to the spirit of the subject rather than an accurate report of the events. Plus: the principals of drama
Occasionally I receive requests to read a first draft and even a first draft by a first time writer. I do indeed offer story consultancy but these are requests to read – for free – with the hope of getting a producer’s attachment. With all due respect,
THE DA VINCI CODE came and went, PIRATES OF THE CARRIBEAN: DEAD MAN’S CHEST came and stayed and our own dear THE MORTAL COIL receives development funding from our own dear AFC! But let’s not distract from those other Things That Matter in the world of story
Following my post on SYRIANA writer/director Stephen Gaghan, I came across an interesting discussion on the necessity of rigorous structuring vs. a more liberal, visual approach to screenwriting. Jim Mercurio makes the following point about Gaghan’s comments in the notorious CS podcast: “Gaghan’s comments are showing that


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