A cult comic, two charismatic teen actresses, an inspired director and a sparse score. Six pages of a comic book were turned into one of the coolest movies of the decade. A structural overview of Terry Zwigoff’s Ghost World (2001). Because the plot points are often quite subtle, structurally this
Keeping the audience interested throughout the ‘setup’ is a major challenge as professional readers won’t last until the Inciting Incident if the first ten or twelve pages don’t deliver. The ‘setup’ is often a complete sequence in which we see the ‘Ordinary World’, the protagonist’s ‘normal life’,
A structural overview of Michael Clayton (Tony Gilroy, 2007) in 8 Sequences. When I watched the film during its theatrical release, I thoroughly enjoyed it. Because of the relatively low budget (an estimated USD$25m) for its production values, Tony Gilroy was able to make some brave non-commercial
Question: Is it possible for the Inciting Incident to happen in backstory? Answer: Technically, ‘backstory’ is not in the movie. It is the history of your characters before the time the story starts. Because we need to see the Inciting Incident and how it affects the protagonist,
Question: When McKee talks about the conscious desire being a contradiction of the unconscious desire, would you relate this to the mid act 2 reversal / change in approach? Or would this be true from the very start of the story, script or life of the protagonist?
MICHAEL HAUGE is a story consultant, author and lecturer who works with writers and filmmakers. He has coached or consulted on projects for Will Smith, Julia Roberts, Robert Downey, Jr. and Morgan Freeman, plus every Hollywood studio. I am speaking with Michael about his career, his teaching
This is the first in a series of structural overviews of popular films. Identifying the main story turns in a film is a great way to get a solid understanding of how film story works. So I invite you to view these films, break them down in
“A strong inciting incident is an event that happens to the protagonist, never an action by the protagonist“, I said. Then I asked you for exceptions, i.e. strong Inciting Incidents that are actions by the protagonist. Now have a look at the first three responses I received:
![[Video]: Screenwriters – On Finding an Original Voice](http://thestorydepartment.com/tsd/wp-content/themes/u-design/scripts/timthumb.php?src=http://thestorydepartment.com/tsd/wp-content/uploads/2010/05/video.jpg&w=55&h=55&zc=1&q=100)
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