Most government film agencies have funds to spend on promising new screenwriters. Often the requirements are less stringent in terms of the formal perfection of the works; the attention goes to the writer’s voice, the type of material and the mastery of a visual language.

THE DA VINCI CODE came and went, PIRATES OF THE CARRIBEAN: DEAD MAN’S CHEST came and stayed and our own dear THE MORTAL COIL receives development funding from our own dear AFC! But let’s not distract from those other Things That Matter in the world of story and screenwriting.