Screen Story

TBA Summer 2010 – 9:30am-5:30pm – CSGPN Training Room
Level 1, 158 Liverpool Rd, ASHFIELD NSW 2131
Contact: 0407 955 555 – karel@ozzywood.com

“Structure is everything.”
-William Goldman

WHAT YOU WILL LEARN:
This one day intensive and entertaining workshop teaches the difference between stories and scripts with screen potential and those that are just a fun read. Do you really know what the ‘3-act-structure’ stands for? Why has drama never worked without a solid structure? What could save your screenplay, that the story gurus have overlooked? The workshop is packed with insights and clips from recent and classic movies plus references from the most influential screenwriting books.

Click here to book now and save 20%

BACKGROUND:

The great careers in our industry are not built on volume of work but rather an informed choice of projects. To make it in movies, it is not enough to be able to read and write imaginative scripts. To connect with an audience, you need to know what lies under the surface and learn the skills to shape the story. This applies equally to writers, directors, actors and even producers.

A recent report revealed that Australian filmmakers are NOT disadvantaged in our home market. We CAN take our fair share of the almost one billion dollars spent annually at our box office – provided we care about our audience. The workshop was designed to teach you how audiences experience stories on the screen. This knowledge will empower you to make decisions that will not only help your current project but your entire career.

ESSENTIAL FOR FILMMAKERS:
Without the knowledge and skills taught in this course, filmmakers stand a better chance of winning the lottery than making it big in movies. Story structure is not just another aspect of screenwriting. It is the stuff that makes or breaks movie careers.

Combine courses and save up to 25%

INTENDED AUDIENCE:

Screenwriters – How to turn your idea into a story for the screen? How to go from an early draft to a winning script?
Actors – Which projects are worth fighting for, particularly if you are working for cheap/free? Does your part support the story – or will it be cut?
Producers & Directors – Where lies the heart of your project? How to select unique projects with commercial potential? How to structure your story to entice investors?

THE LOCATION:
The CSGPN Training Room in Ashfield.
By car from the city: take Parramatta Rd and turn left into Ashfield. CSGPN is 800ms further on your left, on the corner next to Blockbusters.
By train from Central: 15mins on the train, then a short 3mins walk. Ample parking available.
Here are more detailed directions.

COURSE FEE:
– $165: handouts, coffee/tea, script software, 3 months Premium Ed.
– $132: concessions % early bird (payment received 2 weeks before event).
– $99: for students (call or email to check eligibility first)

Registrations are strictly limited to 20 participants. Click here to receive registration information via email.

Student? Click here for your 40% discount!

ABOUT THE TUTOR:
Executive Producer and Story Analyst Karel Segers, a Licentiate of Germanic Philology (University of Louvain, Belgium) has produced three short dramas and co-produced a documentary and two feature films. As an EP, Karel has facilitated project funding from both government and private investors. Over the past few years he has consulted to award-winning writers, directors and producers on films in development as well as post-production. His views are published in The Story Dept., the undisputed #1 blog on screenwriting in Australia. Both nominees for the 2007 AWG Monte Miller Award were Karel’s clients.

WHAT OTHERS SAY:
“Karel Segers brilliantly conveys the best of what is currently understood about effective story telling for the cinema. His method of teaching is highly responsive, vividly supported by carefully selected visuals, and, best of all, witty and memorable.”
-Ron Cobb
Concept Artist, Writer, Director

“I attended a course of Karel’s in 2007 and two years later the details of what I learned have stayed with me. I catch myself automatically observing films and reading books using the critical tools I learned from Karel, and most importantly – how a story could be improved.”
-Marcus Amann
Professional Writer

“I enjoyed the day enormously and thought you were just wonderful. My knowledge and understanding of films was expanded enormously, and many things I understood instinctively but had never heard articulated about the art of storytelling were nailed firmly in place.
It was fantastic!”
-Kate Forsyth
Best-selling Author ‘Witches of Eileanan’

“Karel is the new breed of Teachers who not only conveys the technicality so effortlessly, but makes you want to write your story. He is passionate, focused and he knows his stuff. Karel you Rock, dude!”
-Gerard John
Producer / Entrepreneur

“I came to you with a bunch of scenes in the hope of finding a story and when I look back I’m still surprised at how far we have come. Now the script has won the 2007 Monte Miller award. Thanks again Karel.”
-Nathan Fielding
Winner 2007 AWG Monte Miller Award

“He never gets distracted with the little stuff that tends to fix itself when the important parts are working harmoniously. Karel is a rare beast amongst story consultants – a film literate and long-standing aficionado of many film genres. I hold Karel in very high regard.”
-Kieran Galvin
Film Director / Screenwriter

“Karel is my go-to guy for Script Development and/or assessment. He has a unique insight into the process and any projects I bring him are always infinitely improved by the time we have finished. His grasp of story and structure is second to none. I have recommended his services to several colleagues in the past, all of whom have been very satisfied with the results.”
– Michael Favelle
International Sales Agent
Top 10 Person to Watch in 2009

“Karel Segers is Australia’s Robert McKee”
– Stephen J De Jager
Creative Director, Roadshow Entertainment

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