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Video: Steven Derosa

If you have tried financing a genre film or get development funding for your script in Australia over the past ten years, chances are at some point you were rejected by the gatekeepers on the basis of plausibility. Some people simply don’t understand how film works.


If anyone did understand how film works, it was Alfred Hitchcock.

I keep rewatching Alfred Hitchcock’s movies and to my taste, they never date. He was known to be irritated by people questioning plot twists based on plausibility and he used to call that breed of people ‘the Plausibles’.

Today my 7-year old son reminded me how much he loved The Adventures of Tintin, which we watched together last week. Yet, the day after our viewing, he asked me “Papa, who stole Tintin’s ship?”. I believe he detected a plot hole in the film… Still he loved the movie.

This is exactly what Hitchcock meant: a well-written script in terms of anticipation and suspense may well succeed despite issues of plausibility.

Do you have any examples of movies you loved, despite any plot holes you found?

Karel


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About the Author

Karel FG Segers

Karel Segers wrote his first produced screenplayat age 17. Today he is a story analyst with experience in international acquisition, development and production. He co-wrote Danger Close, the biggest budget Australian film of the decade, and has trained and consulted all over the world, including award-winners and Academy Award nominees. Karel ranks among the most influential people for screenwriting on social media, and speaks a handful of European languages, which he is still trying to find a use for in his present hometown of Sydney, Australia

Comments 1

  1. Loved SHALLOW GRAVE, but always wondered – why don’t they report the death AND keep the money? Their belief that they have to do one or the other drives the story, but there’s no reason they can’t do both.

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