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Movie Moment: Dramatic Irony in 2001 A Space Oddyssey

2001 A Space Odyssey is a monumental movie, a classic and a tent pole within the oeuvre of Stanley Kubrick. What it is not, is dramatic. It is primarily philosophical and poetic.


by Karel Segers

FOUR PARTS

Kubrick wanted us to find our own interpretation of the film. For me, the first chapter The Dawn of Man shows metaphorically how the awakening of human self-consciousness introduces war within the species.

The moon sequence TMA-1 is all about visual beauty with its iconic image of the rotating space ship, wonderful production design and an amazing feel for realism. This is not something you watch on your iPad. Narratively this part runs on mystery: “What is going on at the moon base?”

The heart of the film is Jupiter Mission. For me it epitomizes Stanley Kubrick’s dark vision of the future. This is where my chosen movie moment sits. We’ll get back to this in a minute.

it epitomizes Stanley Kubrick’s dark vision of the future.

The last part is the somewhat controversial ‘hallucinatory trip’ sequence. A non-narrative audio-visual experience that lasts longer than contemporary audiences would bare to watch.

DRAMATIC IRONY

Jupiter Mission introduces the astronauts’ doubts about the allegedly foolproof computer system. Because they don’t trust HAL any longer, the men enter a space pod to avoid being overheard.

The instant classic movie moment occurs when we see HAL effectively lip-reading the astronauts. The camera goes back and forth between the mouths of the men.

This moment sent shivers down my spine. The computer outsmarts the humans, he has malicious intent, confirming that – most important of all – he has emotions.

Because we are watching the two astronauts silently and they are not aware, we are placed within the POV of the computer. Kubrick creates a powerful moment of Dramatic Irony, i.e. the audience has important information that the characters don’t.

Kubrick creates a powerful moment of Dramatic Irony,
i.e. the audience has important information that the characters don’t.

WHAT DOES IT MEAN?

In this split second of realization, Kubrick makes an extremely powerful statement. Some claim it is a warning about the power of computers but I believe it goes further. The strongest cinematic moments are never to be read literally. Much like the rest of the movie works on a metaphorical level, for me the HAL9000 sequence is not about computers but about the systems running our lives; the government, the media, corporations etc.

In only a few seconds of purely visual cinema, Stanley Kubrick instills a great deal of unrest into his audience. This moment of dramatic irony is at the same time the start of what will be the most dramatic sequence in the entire movie: the battle between our main character and the system that is running his life.

In only a few seconds of purely visual cinema,
Stanley Kubrick instills a great deal of unrest into his audience.

As screenwriters, I believe we can learn from this movie moment. If you manage to write a crucial story point in a purely visual way, it stands a better chance of being remembered by the audience.

– Karel Segers

(first published for ScripTips)

Karel Segers is a producer and script consultant who started in movies as a rights buyer for Europe’s largest pay TV group Canal+. Back then it was handy to speak 5 languages. Less so today in Australia. Karel teaches, consults and lectures on screenwriting and the principles of storytelling to his 7-year old son Baxter and anyone else who listens. He is also the boss of this blog.

 


About the Author

Karel Segers

Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in international movie rights acquisition, script development and production. He has trained and consulted to filmmakers all over the world, including award-winning screenwriters, and Academy Award nominees. Karel founded this website, as well as Logline.it!, ranks among the most influential people for screenwriting on social media, and speaks more than a handful of European languages (which should come in handy in his present hometown of Sydney, Australia).

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